|
|
NEW RELEASES
|
THIEVERY CORPORATION
Culture Of Fear
Culture of Fear is Thievery Corporation’s sixth album, and the collective’s old fans will likely find a lot to enjoy on it. Their trademark mixture of real instruments, electronic textures and phrases that encapsulate everything from Brazilian bossa nova to old-school Jamaican dub are solidly intact.
|
|
JOJO EFFECT
Marble Tunes
Jojo Effect's 3rd album with guest singers Anne Schnell, Iain Mackenzie & Brenda Boykin, incl. a phantastic remix of a Bing Crosby track.
|
|
UNDERWORLD
Barking
'Barking' is the title of Underworld's first album in three years, and their first to be constructed with a brilliant cast of co-conspirators. All the tracks were written by the band in their Essex studio before being given to handpicked studio heads from across the whole spectrum of dance music to add some of their style and creativity to the band's raw material. The result is a pimped-up Underworld record and their finest collection of songs in over a decade.
|
|
CARAVAN PALACE
Caravan Palace
Caravan Palace is a self-described électro-swing group from Paris, France, that made its full-length album debut in 2008 on the French independent label Wagram Music. Promoted with the release of "Jolie Coquine" as a single, Caravan Palace was very well received, reaching the Top 20 of the French albums chart and garnering acclaim for its traditional jazz inclinations.
|
| |
GOTAN PROJECT
Tango 3.0
France’s Gotan Project has seen their recordings sell over two million copies worldwide to date , and has had their songs used in television commercials, radio ads, feature and documentary films -- and more than a few corporate business presentations. Founding members Philippe Cohen Solal, Christoph H. Müller, and Eduardo Makaroff have an uncanny track record for melding Argentinian tango to virtually any music they choose.
|
|
GROOVE ARMADA
Black Light
Twelve years and six full-lengths into their career, Groove Armada have produced their dark album, a record that translates the dense, frenzied sound of Anglo-American dance-pop of the 2000s into the context of the duo's highly stylized productions.
|
|
|
|
|
